Showing posts with label rolling stone. Show all posts
Showing posts with label rolling stone. Show all posts

The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) Review

The Rolling Stone Encyclopedia of Rock and Roll (Revised and Updated for the 21st Century)
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There are two reasons why I had to get this book. Firstly, my 1995 copy crumbled into an oblivion of dry glue, a spine torn in half and a cover too flabby to endure. I did turn to the book often for information, but from the looks of it, you'd think I shot it out of a canon once a week as well. The book is just as cheaply constructed as other reviewers contend, while the Q Rock Stars Encyclopedia is much friendlier to the reader both aesthetically and physically. Secondly, Rolling Stone's web site used to contain all the information found in this book. Recently, though, the disappointing decision was made to scrap those lengthier and more informative biographies for the infuriatingly cursory headnotes they recently replaced them with.
Some of the omissions noted by other reviewers here are remarkable not necessarily because of the bands omitted, but because of the "artists" Rolling Stone replaced them with. I mean, come on, the guys in Great White aren't exactly pioneers, and why anyone thinks the exclusion of Wierd Al Yankovic is at all noteworthy mystifies me. But to leave them out for Britney Spears? Ricky Martin? What a blow! Couldn't we just scrap Milli Vanilli, for the love of God? It isn't as though Tiffany, who is included in this book, will be remembered any more than Britney 30 years from now; nonetheless I don't consider either pop star worthy of inclusion at the expense of decently talented blues bands such as Great White who at least know what a "chord" is. The real crime with regard to the debate over who's in and who's out is the exclusion of various Native American songwriters such as Jim Boyd or Bill Miller. The former in particular continues to make unbelievable folk rock (some of which was featured on the "Smoke Signals" Soundtrack). The work Boyd has done with Sherman Alexie (songs like the incomparable "Million Miles Away") especially warrants recognition here.
Those objections aside, this really is a nearly inexhaustible resource for fans of any of the 1,900+ bands the book takes a look at. I think that the distant tone with which the entries are written will infuriate more passionate fans who think their heroes aren't getting the accolades they deserve. But as an Encyclopedia's duty is to provide the essential information, this book at least succeeds more often than it fails. My own relationship with its past and current editions is going on about 8 years now. Along with the "Rough Guide to Rock" or the "Encyclopedia of Record Producers," it continues to be one of the few resources I run to for answers to questions or quick tutorials on bands whose work I am yet to be familiar with. I think it should also be noted that people ought not to be mislead by the "Rock 'N Roll" title, as the book includes many bluegrass, country, and folk artists who may not immediately be associated with Rock 'N Roll per say, but who influenced the genre to such an extent that their exclusion from this book would have been egregious. I mean people like Dave Van Ronk, Bill Monroe or Townes Van Zandt.

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Completely updated with new entries and extensive revisions of the previous 1,800, The Rolling Stone Encyclopedia Of Rock & Roll is the authoritative volume on the world's music makers -- from the one-hit wonders to the megastars. In 1983, Rolling Stone Press introduced its first Rock & Roll Encyclopedia. Almost two decades later, it has become the premier guide to the history of rock & roll, and has been selected by the Rock and Roll Hall of Fame & Museum as its official source of information. Giving full coverage to all aspects of the rock scene, it tells the story of rock & roll in a clear and easy reference format, including complete discographies, personnel changes for every band, and backstage information like date and place of birth, from Elvis Presley to Eminem. Since the last edition, the music scene has exploded in every area, from boy-bands to hip-hop, electronica to indie rock. Here, the Encyclopedia explores them all -- 'NSync, Notorious B.I.G., Ricky Martin, Radiohead, Britney Spears, Blink-182, Sean "Puffy" Combs, Portishead, Fatboy Slim, Fiona Apple, Lil' Kim, Limp Bizkit, Oasis, Outkast, Yo La Tengo, TLC, and many, many more. The Rolling Stone Encyclopedia of Rock & Roll, Third Edition includes all the facts, phenomena, and flukes that make up the history of rock. Accompanying the biographical and discographical information on the nearly 2,000 artists included in this edition are incisive essays that reveal the performers' musical influences, first breaks, and critical and commercial hits and misses, as well as evaluations of their place in rock history. Filled with hundreds of historical photos, The Rolling Stone Encyclopedia is more than just a reference book, it is the bible of rock & roll.

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On This Day in Music History: Over 2,000 Popular Music Facts Covering Every Day of the Year Review

On This Day in Music History: Over 2,000 Popular Music Facts Covering Every Day of the Year
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On This Day In Music History: Over 2,000 Popular Music Facts For Every Day Of The Year by six-time Grammy- winning music publisher and historian Jay Warner offers a chronological wealth of "bite sized" infobits on the men, women, companies, and inventions that compiled and assembled provide an inherently fascinating and wonderfully informative history of music in popular culture. From the installation of the first Jukebox at San Francisco's Royal Hotel in 1899, to the induction of Tina and Ike Turner into the Rock and Roll Hall of Fame in 1991 (with producer Phil Spector accepting the award in their absence), On This Day In Music History makes for informed and informative browsing. Presented in a calendar formate and enhanced with more than 180 black/white images, On This Day In Music History will prove a welcome and popular addition to personal and community library Music History Studies collections.


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The dictionary defines trivia as: "matter or things of very slight importance, commonplace, or ordinary." Yet anyone who has ever read anything about a favorite sports star, singer, historic figure or celebrity will find that it is often the so-called trivia that makes things memorable about that person or event. Nowhere is this more apparent than in this book. Add the context of the progression of hundreds of parallel lives through the timeline of a pseudo calendar format and it becomes anything but commonplace. This is especially intriguing when coupled with music history. Over 2,000 entries are listed in chronological order, covering every day of the year. By combining a calendar format with wonderful photos and illustrations, and an elevated element of trivia, this new kind of to-the-point history in "on-this-day" format sets a new trend in books for the instant gratification of 21st-century culture.

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The Rolling Stone Interviews, 1967-1980: Talking with the Legends of Rock & Roll Review

The Rolling Stone Interviews, 1967-1980: Talking with the Legends of Rock and Roll
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Although I admit, I am not a Rolling Stone kind of guy, I nevertheless have respected the Rolling Stone Interviews (and interviewers) over the years the same as I still respect the legendary Playboy interviews. This was the first time I had ever read a collection of interviews by Rolling Stone, and I must say that using the Playboy Interviews as a yardstick, I was very disappointed in them. I think the reason I was disappointed is that I expected a lot more.
It is a truism deserving respect these days, that Artists in our culture may be the last of a dying breed of freethinkers. They may be all that remains of those whose minds have not yet been completely "socially adjusted" (i.e. lobotomized into Americanized consensus herd-think). So, naturally I was expecting some freewheeling exchanges here that would take the reader beyond the "beaten path." However, this was not to be the case. Even from the iconoclast Bob Dylan, the interviews here were kept close to the already well-known script. Issues such as how one artist feels about another one, whether they were on drugs or not, their next venues, what they think of their older music, etc, dominated these interviews and seemed to me are the kind of questions that would have been more appropriate for lesser magazines. Said another way, this collection was entirely too "chatty" and superficial for my taste. Instead of engaging in either the intricacies of the music, or into more philosophical issues about the art itself or even about what things affect the artists lives outside of music, it hewed close to inane issues more suitable for "People" magazine than for one with Rolling Stone's reputation.
It unnecessarily made those interviewed seem one-dimensional and shallow. And while this may indeed be the case for the run-of-the-mill pop music star, the collection here, for the most part, was intended to represent the trailblazers and the cream of the crop, and as a result, I expected the interviewer to get beneath the surface to help us understand from whence their creativity springs? But here the reader learns very little that he could have gleaned from lesser-known pop rag sheets. Two stars

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The Sixties Review

The Sixties
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Moments ago this book arrived in the mail. As I sat on my floor and opened it's pages, I came to the photograph of Dorothy Day. I suddenly was overcome and burst into tears. Not from sadness or melancholy or loss, but from the Beauty and Honesty in this picture. It is amazing at a time when we are deluged with images, images that are used to sell and and decieve, to look upon images that merely reveal. Reveal truths which lie in the hearts of men and women. Thank you Richard Avedon ( and Doon Arbus) for following your hearts and making these pictures. For having the faith to pursue them, even if it made no sense to at the time. I feel this book has drawn a line on the wall and said no less than this. As a photographer, as a human being... this book is reminder to find and tell THE TRUTH.

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Annie Leibovitz: American Music Review

Annie Leibovitz: American Music
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Gee. I've never heard that poor aesthetic quality is an essential element of art. I'm not even sure what "poor aesthetic quality" means. But if it describes the heartbreaking, iconic portrait of Johnny Cash and June Carter, then I surely want more of it. These are beautiful, sometimes funny and often emotionally moving pictures in which the subjects collaborate with the artist to present a certain face to the world. Maybe not all the faces are completely honest ones, but they're interesting and beautifully photographed.

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Rolling Stone: The Illustrated Portraits Review

Rolling Stone: The Illustrated Portraits
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This book has everyone from Elvis to Marilyn Manson included. The illustrations in this book are phenomenal. It is a pretty large book, all pictures for all ages. It is the perfect gift book to anyone who has lived in the 70's, 80's or 90's. I have a copy sitting on my coffee table and everyone who comes over picks it up and cannot put it down until they have seen every picture. :-)

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For the first time ever, Rolling Stone has collected the best paintings, caricatures, and drawings ever to grace their pages. Award-winning art director Fred Woodward has created a mesmerizing compendium that serves as a who's who of the illustration world, matching the talents of Ralph Steadman, Milton Glaser, and Philip Burke with famous faces like those of Patty Hearst, Bob Dylan, and Kurt Cobain. Snippets of interviews with both the subjects and the artists illuminate the subjective and interpretive process of illustration. ("I've tried to control my image, but my flesh keeps failing to cooperate," says Pete Townshend.) Featuring over 100 boldly colored illustrations, Rolling Stone: The Illustrated Portraits not only captures the gamut of personalities and figures who have shaped the last quarter of the century but does so with the originality and style that is quintessentially Rolling Stone.

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The Rolling Stone Illustrated History of Rock and Roll: The Definitive History of the Most Important Artists and Their Music Review

The Rolling Stone Illustrated History of Rock and Roll: The Definitive History of the Most Important Artists and Their Music
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This history of Rock and Roll comes from Rolling Stone, one of the biggest and longest-lasting names in Rock reporting and coverage. It is truly a mixed bag, ranging anywhere from great historical content to outright howlers.
First, the book does an excellent job of covering the entirety of rock history and drawing out its influences and evolutions. It does a wonderful job of covering the different local scenes and how they were integrated in with the whole of rock music. Whole chapters are generally rewarded to the most influential bands, and not just those that sold more album.
However, the book suffers a number of strong drawbacks. First, as many pointed out, the book is clearly slanted toward the Rolling Stone perspective. Artists such as Billy Joel, who have not had good relations with the magazine, have been omitted. Several others, such as Bob Seger, were also given no treatment. There is also a bit of redundent content, such as giving the Beatles two whole chapters and then devoting a third (British Invasion) to a primarily Beatles-related topic. Also, there are separate chapters on Motown and Stevie Wonder.
Secondly, the book is often skewed toward the "pop" scene when it comments on more current acts. Rolling Stone has been getting even worse about this in its magazine. One particular example that stands out is in the heavy metal section. My edition was published in 1991 and the writer heaps load and loads of praise upon such hair-metal acts as Motley Crue, Poison, Ratt and Warrant. Other, more talented but less popular metal acts, such as Metallica, are put down and summarily dismissed. However, we all know that if this were to have been written 5 years later, Rolling Stone would be worshipping Metallica and praising them for destroying such hair-bands. RS makes the mistake of "going with the flow" one too many times.
Overall - nice book, but with some obvious problems.

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The ultimate illustrated history of rock & roll--comprehensive, authoritative, and fully updated with coverage of the most important new sounds and artists of the 1980s and `90s.

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