Showing posts with label todd haynes. Show all posts
Showing posts with label todd haynes. Show all posts

I'm Not There (Two-Disc Collector's Edition) (2007) Review

I'm Not There (Two-Disc Collector's Edition) (2007)
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I'M NOT THERE is clearly not a movie for everyone. The concept of the film is experimental, the execution of the 'documentary' is actually an amalgam of the aura and influence of one man in the music world instead of a linear history of a famous singer/poet, and the goal seems more to find the effect of Bob Dylan's chameleon persona on those people with whom he came into contact than it is to relate the story of a fascinating and important American artist.
Writer (with Oren Moverman) and Director Todd Haynes ('Far from Heaven', 'Velvet Goldmine') has gathered images, memorabilia, fragments of interviews, and responses from acquaintances and from these he has pieced together a quilt-like panorama of the enigmatic, elusive, ever-changing Bob Dylan. The result is not meant to be a precise history, but instead a 'feeling' for the man who so profoundly influenced American music in the 1960s. Haynes selected several top actors to inhabit various aspects of Dylan's life and times. The Narrator for this both black and white and color film is symbolist poet Arthur Rimbaud (Ben Winshaw) who through a series of comments opens the vignettes that reflect Dylan. Eleven-year-old Marcus Carl Franklin radiates the energy of Woody Guthrie when he is suggesting the early formative influences of Dylan. Christian Bale becomes 'Jack Rollins', among the closest of the actors to impersonate the performing Dylan. Heath Ledger embodies the love-life side of Dylan's character with the Claire of Charlotte Gainsbourg while Cate Blanchett comes closest to showing us the inverted personality as Jude Quinn - the name assigned to the character who most resemble Dylan's appearance and talk and physical reactions to the public, the press, and the audience. And as an homage to Dylan's preoccupation with history, the final version of Dylan becomes Billy the Kid (Richard Gere) in the surreal town of Riddle. Other important characters pass through this musical mélange - Julianne Moore comments as Alice Fabian, a Joan Baez-type figure, Michelle Williams becomes Coco for a moment, and Bruce Greenwood has double roles suggesting influences from the height of Dylan's career to his old age.
Throughout the film the music of Bob Dylan pervades the soundtrack, the tunes as important as the timely poetry of his lyrical output. The film is as strange as the man who inspired it, and Todd Haynes and his amazing cast of actors give us an impressive slice of our history as well as an appreciation of the aura of the strangely haunting Bob Dylan. In extended featurettes on the CD the director and cast give wonderful insights both into the character of Dylan as well as the concept of creating this amazing film. For some, watching these introductions BEFORE watching the actual movie may enhance appreciation of this art piece. Highly recommended - but the audience must understand this is not a routine movie! Grady Harp, May 08

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Inspired by the life and songs of Bob Dylan, I'm Not There is "a profoundly personal and passionate film" (A.O. Scott, The New York Times) that captures the essence of this elusive genius.Six different actors -- including Heath Ledger, Christian Bale, Richard Gere and Oscar® nominee Cate Blanchett in a "soon-to-be-legendary performance" (Peter Travers, Rolling Stone) - each embody part of the Dylan legend: from Greenwich Village folk singer to electric guitar trailblazer to born-again preacher.Directed by Academy Award®-nominated writer/director Todd Haynes (Far From Heaven), I'm Not There is "unquestionably the year's most original American movie" (Thelma Adams, US Weekly).

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Masked and Anonymous (Destino Milagroso) Review

Masked and Anonymous (Destino Milagroso)
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You would probably have to go back to early Godard to find a movie as audacious, shockingly funny and brilliantly incisive in its analysis of the uneasy alliance between art and commerce as the sci-fi/film noir/spaghetti-western/Shakespearean musical-tragicomedy, Masked and Anonymous, the new movie from Bob Dylan and Larry Charles. As with some Godard, I can't say whether it's a comedy or a tragedy - but it's definitely a masterpiece.
To direct the Hollywood cast to speak in the script's poetic, ornate language could not have been easy but the actors do an exemplary job. Nearly all of them manage to hit just the right note of cartoonish hysteria to give the film a sense of unity and harmony. Except, that is, for Bob Dylan. His character, Jack Fate, is the calm in the eye of the storm, the one rational character surrounded by a world of swirling insanity and director Charles gets a lot of comic mileage out of the contrast
between Dylan's deadpan delivery and the over-the-top performances of nearly everyone else; it's like taking a Humphrey Bogart character out of the '40's and plunking him down in the middle of a massively absurd science-fiction landscape - the resignation and world-weariness of the film noir hero remains hilariously intact. The very idea is inspired and the execution is flawless.
The performance footage of course is terrific. Dylan and His Band play eight songs live on camera and there is a warmth, an intimacy and a relaxed quality to the performances that you will only see at Dylan's best club shows. Although none of the songs are heard in their entirety, these sequences are nonetheless beautifully filmed. There is none of the rapid-fire editing and pointlessly roving camera that mars the filmed footage of so many live musical performances. Instead, Charles' strategy is to have the band crowd together and film them in close-up with a wide-angle lens. There are numerous long takes in which all of the band members can be seen and when the camera does move, it's deliberate and meaningful.
In a recent interview, Larry Charles said he never worried about
finding a distributor for the film and that Dylan had told him long ago not to worry about the film "in the short term." However the film _is_ received in the short term, the richly orchestrated tapestry of sound and image that is Masked and Anonymous is sure to keep Dylanologists and film fans alike busy for decades.

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Masked and Anonymous Review

Masked and Anonymous
Average Reviews:

(More customer reviews)
You would probably have to go back to early Godard to find a movie as audacious, shockingly funny and brilliantly incisive in its analysis of the uneasy alliance between art and commerce as the sci-fi/film noir/spaghetti-western/Shakespearean musical-tragicomedy, Masked and Anonymous, the new movie from Bob Dylan and Larry Charles. As with some Godard, I can't say whether it's a comedy or a tragedy - but it's definitely a masterpiece.
To direct the Hollywood cast to speak in the script's poetic, ornate language could not have been easy but the actors do an exemplary job. Nearly all of them manage to hit just the right note of cartoonish hysteria to give the film a sense of unity and harmony. Except, that is, for Bob Dylan. His character, Jack Fate, is the calm in the eye of the storm, the one rational character surrounded by a world of swirling insanity and director Charles gets a lot of comic mileage out of the contrast
between Dylan's deadpan delivery and the over-the-top performances of nearly everyone else; it's like taking a Humphrey Bogart character out of the '40's and plunking him down in the middle of a massively absurd science-fiction landscape - the resignation and world-weariness of the film noir hero remains hilariously intact. The very idea is inspired and the execution is flawless.
The performance footage of course is terrific. Dylan and His Band play eight songs live on camera and there is a warmth, an intimacy and a relaxed quality to the performances that you will only see at Dylan's best club shows. Although none of the songs are heard in their entirety, these sequences are nonetheless beautifully filmed. There is none of the rapid-fire editing and pointlessly roving camera that mars the filmed footage of so many live musical performances. Instead, Charles' strategy is to have the band crowd together and film them in close-up with a wide-angle lens. There are numerous long takes in which all of the band members can be seen and when the camera does move, it's deliberate and meaningful.
In a recent interview, Larry Charles said he never worried about
finding a distributor for the film and that Dylan had told him long ago not to worry about the film "in the short term." However the film _is_ received in the short term, the richly orchestrated tapestry of sound and image that is Masked and Anonymous is sure to keep Dylanologists and film fans alike busy for decades.

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I'm Not There Review

I'm Not There
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I loved this movie, it was so different from most with a good soubd track

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