
Average Reviews:

(More customer reviews)I bought this book because I was mildly interested but before long I was sucked into the tale about how the money talked louder than any musician's ability.
This is story of how several clever people took the talent-driven music of the mid to late sixties and gradually turned this into a money-driven enterprise where all the artist needed to do was keep the gullible public into believing that "it's all about the music, man!"
The book covers some of the major players like Bruce Springsteen's manager, Jon Landau, and record mogul David Geffen, along with the artists they were involved with like Dylan, Neil Young, the Eagles, and plenty more. The book shows how the industry evolved from Warner Brothers execs (in WB blazers) signing the Grateful Dead (and being scared to death of being given LSD) - to the CBS policy of the mid-eighties of taking acts that the company wanted to succeed and have them make a few low-selling albums and play live gigs so they would have more credibility with record buyers.
The execs were every bit as exotic as the artists they represented, and thought nothing about double-dipping their clients' earnings even though they were already assured of millions. I was astounded to learn that at the height of the Eagles' success they went out on tour and got NINETY-SEVEN AND A HALF PERCENT of the receipts, leaving the venue with just two and half percent.
Essential reading for anyone interested in the music industry, especially people trying to break into the scene. Check your integrity at the door, because it will just be an impediment otherwise.
Click Here to see more reviews about: The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce
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